BIBLIOGRAPHY:

LETTER

Bartram, Alan. Five Hundred Years of Book Design. London: British Library, 2001.

Blackwell, Lewis. Twentieth-Century Type. New Haven: Yale University Press, 2004.

Boyarski, Dan, and Christine Neuwirth, Jodi Forlizzi, and Susan Harkness Regli. “A Study of Fonts Designed for Screen Display.” CHI 98 (April 1998): 18–23.

Broos, Kees, and Paul Hefting. Dutch Graphic Design: A Century. Cambridge: MIT Press, 1993.

Burke, Christopher. Paul Renner: The Art of Typography. New York: Princeton Architectural Press, 1998.

Christin, Anne-Marie. A History of Writing, from Hieroglyph to Multimedia. Paris: Flammarion, 2002.

Crouwel, Wim. New Alphabet: An Introduction for a Programmed Typography. Amsterdam: Wim Crouwel/Total Design, 1967.

______, Kees Broos, and David Quay. Wim Crouwel: Alphabets. Amsterdam: BIS Publishers, 2003.

Cruz, Andy, Ken Barber, and Rich Roat. House Industries. Berlin: Die Gestalten Verlag, 2004.

Eason, Ron, and Sarah Rookledge. Rookledge’s International Directory of Type Designers: A Biographical Handbook. New York: Sarabande Press, 1994.

Gray, Nicolete. A History of Lettering. Oxford: Phaidon Press, 1986.

Heller, Steven, and Philip B. Meggs, eds. Texts on Type: Critical Writings on Typography. New York: Allworth Press, 2001.

Hornung, Clarence. Handbook of Early Advertising Art. New York: Dover Publications, 1956.

Johnston, Edward. Writing & Illuminating & Lettering. London: Sir Isaac Pitman & Sons, 1932.

Kelly, Rob Roy. American Wood Type: 1828–1900. New York: Da Capo Press, 1969.

Kinross, Robin. Unjustified Texts: Perspectives on Typography. London: Hyphen Press, 2002.

Lawson, Alexander. Anatomy of a Typeface. Boston: David R. Godine, 1990.

Lewis, John. Anatomy of Printing: The Influences of Art and History on its Design. New York: Watson-Guptill Publications, 1970.

———. Typography: Basic Principles, Influences and Trends Since the Nineteenth Century. New York: Reinhold Publishing, 1963.

McMurtrie, Douglas. The Book: The Story of Printing and Bookmaking. New York: Dorset Press, 1943.

Morison, Stanley. Letter Forms. London: Nattali & Maurice, 1968.

Noordzij, Gerrit. Letterletter: An Inconsistent Collection of Tentative Theories That Do Not Claim Any Authority Other Than That of Common Sense. Vancouver: Hartley and Marks, 2000.

Pardoe, F. E. John Baskerville of Birmingham: Letter-Founder and Printer. London: Frederick Muller Limited, 1975.

Shelley, Mary. Frankenstein. New York: The Modern Library, 1999. First published 1831.

Re, Margaret. Typographically Speaking: The Art of Matthew Carter. New York: Princeton Architectural Press, 2002.

Updike, Daniel. Printing Types: Their History, Forms, and Use, Volumes I and II. New York: Dover Publications, 1980.

VanderLans, Rudy, and Zuzana Licko. Emigre: Graphic Design into the Digital Realm. New York: Van Nostrand Reinhold, 1993.

TEXT

Barthes, Roland. Image/Music/Text. Trans. Stephen Heath. New York: Hill and Wang, 1977.

Baudrillard, Jean. For a Critique of the Political Economy of the Sign.
St. Louis, Mo.: Telos Press, 1981.

Benjamin, Walter. Reflections. Ed. Peter Demetz. New York: Schocken Books, 1978.

Bolter, Jay David. Writing Space: Computers, Hypertext, and the Remediation of Print. Mahwah, N. J.: Lawrence Erlbaum Associates, 2001.

Derrida, Jacques. Of Grammatology. Trans. Gayatri Chakravorty
Spivak. Baltimore: Johns Hopkins University Press, 1976.

Diamond, Jared. Guns, Germs, and Steel: The Fates of Human Societies. New York: W. W. Norton, 1997.

Kaplan, Nancy. “Blake’s Problem and Ours: Some Reflections on
the Image and the Word.” Readerly/Writerly Texts, 3.2 (Spring/
Summer 1996), 115–33.

Gould, John D. et al. “Reading from CRT Displays Can Be as Fast as Reading from Paper.” Human Factors 29, 5 (1987): 497–517.

Helfand, Jessica. Screen: Essays on Graphic Design, New Media, and Visual Culture. New York: Princeton Architectural Press, 2001.

Lessig, Lawrence. Free Culture: How Big Media Uses Technology and
the Law to Lock Down Culture and Control Creativity. New York: Penguin, 2004.

Laurel, Brenda. Utopian Entrepreneur. Cambridge: MIT Press, 2001.

Lunenfeld, Peter. Snap to Grid: A User’s Guide to Digital Arts, Media, and Cultures. Cambridge: MIT Press, 2001.

Manovich, Lev. The Language of New Media. Cambridge: MIT Press, 2002.

McCoy, Katherine and Michael McCoy. Cranbrook Design: The New Discourse. New York: Rizzoli, 1990.

———. “American Graphic Design Expression.” Design Quarterly
148 (1990): 4–22.

McLuhan, Marshall. The Gutenberg Galaxy. Toronto: University of Toronto Press, 1962.

Moulthrop, Stuart. “You Say You Want a Revolution? Hypertext and the Laws of Media.” The New Media Reader. Noah Wardrip- Fruin and Nick Monfort, eds. Cambridge, Mass.: MIT Press, 2003. 691–703.

Nielsen, Jakob. Designing Web Usability. Indianapolis: New Riders, 2000.

Ong, Walter. Orality and Literacy: The Technologizing of the Word. New York: Methuen, 1982.

Raskin, Jef. The Human Interface: New Directions for Designing Interactive Systems. Reading, Mass.: Addison-Wesley, 2000.

Ronell, Avital. The Telephone Book: Technology, Schizophrenia, Electric Speech. Lincoln: University of Nebraska Press, 1989.

GRID

Berners-Lee, Tim. Weaving the Web: The Original Design and Ultimate Destiny of the World Wide Web. New York: HarperCollins, 1999.

Bosshard, Hans Rudolf. Der Typografische Raster/The Typographic Grid. Sulgen, Switzerland: Verlag Niggli, 2000.

Cantz, Hatje. Karl Gerstner: Review of 5 x 10 Years of Graphic Design etc. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2001.

Elam, Kimberly. Geometry of Design. New York: Princeton Architectural Press, 2001.

Gerstner, Karl. Designing Programmes. Switzerland: Arthur Niggli Ltd., 1964.
William Gibson. Neuromancer. New York: Ace Books, 1984.

Hochuli, Jost, and Robin Kinross. Designing Books: Practice and Theory. London: Hyphen Press, 1996.

Jute, André. Grids: The Structure of Graphic Design. Switzerland: RotoVision, 1996.

Krauss, Rosalind. “Grids.” The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press, 1985. 9–22.

Küsters, Christian and Emily King. Restart: New Systems in Graphic Design. London: Thames and Hudson, 2002.

Lidwell, William, Kritina Holden, and Jill Butler. Universal Principles of Design. Gloucester, Mass.: Rockport Publishers, 2003.

Lohse, Richard Paul. Richard Paul Lohse: Konstruktive Gebrauchsgrafik. Ofildern-Ruit, Germany: Hatje Cantz Verlag, 2000.

Müller-Brockmann, Josef. The Graphic Artist and his Design Problems. Switzerland: Arthur Niggli Ltd., 1961.

___. Grid Systems in Graphic Design. Switzerland: Ram Publications,
1996. First published in 1961.

___. A History of Graphic Communication. Switzerland: Arthur Niggli Ltd., 1971.
Murray, Janet. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. Cambridge: MIT Press, 1997, 185.

Roberts, Lucienne, and Julia Shrift. The Designer and the Grid. East Sussex, UK: RotoVision, 2002.

Rothschild, Deborah, Ellen Lupton, and Darra Goldstein. Graphic Design in the Mechanical Age: Selections from the Merrill C. Berman Collection. New Haven: Yale University Press, 1999.

Ruder, Emil. Typography. Switzerland: Arthur Niggli Ltd., and New York: Hastings House, 1981. First published in 1967.

Rüegg, Ruedi. Basic Typography: Design with Letters. New York: Van Nostrand Reinhold, 1989.

Samara, Timothy. Making and Breaking the Grid: A Graphic Design Layout Workshop. Gloucester, Mass.: Rockport Publishers, 2002.

Tufte, Edward R. Envisioning Information. Cheshire, Conn.: Graphics Press, 1990.

——. The Cognitive Style of PowerPoint. Cheshire, Conn.: Graphics
Press, 2003.

MANUALS + MONOGRAPHS

Alpine, Rachel. Web Word Wizardry: A Guide to Writing for the Web and Intranet. Berkeley: Ten Speed Press, 2001.

Baines, Phil, and Andrew Haslam. Type and Typography. New York: Watson-Guptill Publications, 2002.

Blackwell, Lewis, and David Carson. The End of Print: The Grafik Design of David Carson. San Francisco: Chronicle Books, 2000.

Bringhurst, Robert. The Elements of Typographic Style. Vancouver: Hartley and Marks, 1992, 1997.

The Chicago Manual of Style, 15th Edition. Chicago: University of Chicago Press, 2003.

Dwiggins, W. A. Layout in Advertising. New York: Harper and Brothers Publishers, 1928.

Eckersley, Richard et al. Glossary of Typesetting Terms. Chicago: University of Chicago Press, 1994.

Felici, James. The Complete Manual of Typography: A Guide to Setting Perfect Type. Berkeley, CA: Peachpit Press, 2003.

Jury, David. About Face: Reviving the Rules of Typography. East Sussex,
UK: RotoVision, 2001.

Kane, John. A Type Primer. London: Laurence King, 2002.

Kunz, Willi. Typography: Macro- and Micro-Aesthetics. Sulgen, Switzerland: Verlag Niggli, 1998.

Lupton, Ellen and J. Abbott Miller. Design Writing Research: Writing on Graphic Design. New York: Kiosk, 1996, and London: Phaidon, 1999.

Lynch, Patrick, and Sarah Horton. Web Style Guide: Basic Design Principles for Creating Web Sites. New Haven: Yale University Press, 2001.

Newark, Quentin. What is Graphic Design? East Sussex, UK: RotoVision, 2002.

Scher, Paula. Make It Bigger. New York: Princeton Architectural Press, 2002.

Smith, Ken. Junk English. New York: Blast Books, 2001.

Spiekermann, Erik, and E. M. Ginger. Stop Stealing Sheep and Find Out How Type Works. Mountain View, Cal.: Adobe Press, 1993.

Strizver, Ilene. Type Rules: The Designer's Guide to Professional Typography. Cincinnati: North Light Books, 2001.

Williams, Robin. The Non-Designer’s Design Book: Design and Typographic Principles for the Visual Novice. Berkeley, Cal.: Peachpit Press, 1994.

——, and John Tollett and David Rohr. Web Design Workshop. Berkeley, Cal.: Peachpit Press, 2002.